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home·artworks·View taken on the eastern gate bridge with falling snow
View taken on the eastern gate bridge with falling snow by Angelo Inganni

plate no. 0167

View taken on the eastern gate bridge with falling snow

Angelo Inganni, 1850

oilRealismcityscapecityscapesnowbuildingscanalfiguresbridge
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures of snow and old buildings. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective of the buildings, bridge, and canal.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones and white.

  3. step 03

    Establish the sky with a thin wash of muted grey and white, suggesting the falling snow.

  4. step 04

    Develop the buildings, paying attention to the subtle variations in color and value to create depth.

  5. step 05

    Add details to the bridge and canal, including the reflections in the water.

  6. step 06

    Paint the figures and other small details, using darker values to create contrast.

  7. step 07

    Add highlights to the snow-covered surfaces to create a sense of light and atmosphere.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and realistic painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · payne's gray · burnt sienna

Achieve the muted tones by mixing white with small amounts of earth tones and a touch of gray. Use thin washes for the sky and build up layers of color for the buildings.

techniques

  • ·atmospheric perspective
  • ·value studies
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →overworking details too early
  • →creating too much contrast
  • →inaccurate perspective
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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