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home·artworks·View over the Sea from Ogna, Jæren
View over the Sea from Ogna, Jæren by Kitty Lange Kielland

plate no. 6973

View over the Sea from Ogna, Jæren

Kitty Lange Kielland, 1878

oil, canvasRealismlandscaperocksseaskycloudslandscapevegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic rock textures using layering and dry brush techniques. It also provides practice in creating a sense of depth through value and color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the rocks, horizon line, and cloud formations.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the sky with muted blues and grays, blending softly to create cloud effects.

  4. step 04

    Begin layering the rocks with darker values, focusing on the shadows and crevices.

  5. step 05

    Add highlights to the rocks using lighter shades of brown, gray, and ochre.

  6. step 06

    Paint the sea with subtle variations of blue and gray, indicating the waves and reflections.

  7. step 07

    Add details to the foreground vegetation with small, broken brushstrokes.

  8. step 08

    Refine the overall composition and add final touches to enhance the atmospheric perspective.

color palette

primary · burnt umber · titanium white · ultramarine blue · raw sienna

secondary · yellow ochre · payne's gray · sap green

Mix muted blues and grays for the sky by combining ultramarine blue, titanium white, and a touch of burnt umber. Achieve realistic rock colors by layering burnt umber, raw sienna, and yellow ochre, adjusting the values with titanium white and payne's gray.

techniques

  • ·dry brush texture
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast, resulting in a harsh and unrealistic appearance.
  • →Failing to establish a clear value structure early on.
  • →Using colors that are too saturated, making the painting look artificial.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, titanium white, ultramarine blue, raw sienna, yellow ochre, payne's gray)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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