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home·artworks·View on the market of Haarlem Sun
View on the market of Haarlem Sun by Johan Hendrik Weissenbruch

plate no. 4597

View on the market of Haarlem Sun

Johan Hendrik Weissenbruch

oil, canvasRealismcityscapecityscapebuildingsskycloudsfiguresplaza
experienced study

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering complex architectural details. It also provides practice in depicting figures and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective lines.

  2. step 02

    Block in the large shapes of the buildings and sky using thin washes of color.

  3. step 03

    Establish the light and shadow patterns on the buildings, paying attention to the direction of the light source.

  4. step 04

    Gradually build up the details of the architecture, such as windows, doors, and ornamentation.

  5. step 05

    Paint the sky and clouds, blending the colors softly to create a sense of atmosphere.

  6. step 06

    Add the figures and other details in the foreground, using smaller brushes.

  7. step 07

    Refine the details and adjust the values as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · ivory black

Mix white with small amounts of blue and umber for the sky. Use a combination of burnt sienna, raw umber, and black for the buildings, adjusting the proportions to create variations in color and value.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Inaccurate perspective can ruin the sense of depth and realism.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Failing to create a sense of atmosphere can flatten the image.
  • →Using too much detail in the background

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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