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home·artworks·View on the Dnipro River
View on the Dnipro River by Mykola Murashko

plate no. 5755

View on the Dnipro River

Mykola Murashko, 1890

oilRealismlandscapetreesriverclifffoliageskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic foliage and tree bark textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, cliff, and river.

  2. step 02

    Establish the sky and water with thin washes of color, creating a sense of atmospheric perspective.

  3. step 03

    Block in the large shapes of the cliff face, using light and shadow to define its form.

  4. step 04

    Paint the trees, starting with the trunks and branches, then adding foliage with varied brushstrokes.

  5. step 05

    Develop the foreground foliage, using a mix of greens, browns, and yellows to create texture and depth.

  6. step 06

    Add details to the cliff face, such as cracks and crevices, using a dry brush technique.

  7. step 07

    Refine the colors and values throughout the painting, paying attention to the overall harmony.

  8. step 08

    Add final highlights and details to the trees, foliage, and cliff face.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · sap green

Mix ultramarine blue and raw umber with white to create the muted blues of the river and sky. Use yellow ochre and burnt sienna to create the warm tones of the cliff and foliage. Mix sap green with other colors to create natural-looking greens.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brush
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details in the foreground.
  • →Creating too much contrast in the distant elements.
  • →Using too much pure color without mixing.
  • →Ignoring the subtle value shifts in the cliff face.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·sap green oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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