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home·artworks·View Of Venice (The Dogana)
View Of Venice (The Dogana) by Julius LeBlanc Stewart

plate no. 2179

View Of Venice (The Dogana)

Julius LeBlanc Stewart, 1907

oil, canvasRealismcityscapewaterbuildingboatsskycityscapedock
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also offers practice in depicting architectural details and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective of the buildings and dock.

  2. step 02

    Block in the main color areas: sky, water, buildings, and dock, using thin washes.

  3. step 03

    Develop the sky with subtle color variations, blending the colors softly.

  4. step 04

    Work on the buildings, adding details like windows, columns, and the statue on top.

  5. step 05

    Paint the water, capturing the reflections of the buildings and boats.

  6. step 06

    Add details to the dock, including the wooden planks, barrels, and crane.

  7. step 07

    Refine the details on the boats, paying attention to their shapes and reflections.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · titanium white · ultramarine blue

secondary · burnt umber · raw sienna · cadmium yellow

Mix various shades of gray and beige by combining white, yellow ochre, and a touch of burnt umber. Use ultramarine blue and white for the sky, adding a hint of yellow ochre for warmth. Create reflections by using slightly darker and desaturated versions of the colors above them.

techniques

  • ·atmospheric perspective
  • ·rendering reflections
  • ·layering
  • ·blending
  • ·dry brushing

common pitfalls

  • →Getting the perspective wrong, especially with the buildings and dock.
  • →Making the colors too saturated, losing the atmospheric effect.
  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to capture the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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