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home·artworks·View of the Winter Palace from the west
View of the Winter Palace from the west by Vasily Sadovnikov

plate no. 0212

View of the Winter Palace from the west

Vasily Sadovnikov, 1840

oilRealismcityscapebuildingwaterskyfiguresboatsarchitecture
experienced study

Recreating this painting will help students develop skills in perspective drawing, color mixing to achieve atmospheric effects, and rendering architectural details. It also provides practice in depicting figures and boats in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the Winter Palace, the embankment, and the water line, paying attention to perspective.

  2. step 02

    Establish the horizon line and vanishing points.

  3. step 03

    Block in the main color areas: sky, building, water, and embankment, using thin washes.

  4. step 04

    Add details to the building, such as windows, columns, and decorative elements, using progressively darker values.

  5. step 05

    Paint the figures and boats, simplifying their forms and colors.

  6. step 06

    Refine the water with horizontal brushstrokes, reflecting the colors of the sky and building.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · cerulean blue · burnt sienna · ivory black

Achieve the building's color by mixing yellow ochre, raw umber, and white. Use cerulean blue and white for the sky, and add a touch of burnt sienna for warmth. Mix raw umber, burnt sienna, and black for the darker tones in the water and embankment.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong, which will make the building look distorted.
  • →Overworking the details, which will make the painting look stiff and unnatural.
  • →Using colors that are too bright or saturated, which will clash with the muted tones of the original.
  • →Ignoring the atmospheric perspective, which will make the background look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags

optional

  • ·easel
  • ·view finder
  • ·retarder medium

Use a canvas with a smooth surface for best results. Acrylics are recommended for beginners due to their faster drying time.

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oil painting for beginners →how to learn by studying the masters →
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