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home·artworks·View of the Trevi Fountain in Rome
View of the Trevi Fountain in Rome by Enrico Nardi

plate no. 2202

View of the Trevi Fountain in Rome

Enrico Nardi, 1892

oilRealismillustrationfountainbuildingfigurewaterflowersarchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering architectural details and creating depth using value and line work. It also provides practice in depicting figures and floral arrangements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the fountain, figure, and surrounding elements, paying attention to proportions.

  2. step 02

    Establish the darkest values in the fountain and figure using a dark wash or pencil.

  3. step 03

    Begin adding mid-tones to define the forms and create a sense of depth.

  4. step 04

    Develop the details of the architectural elements, such as columns and statues, using fine lines and shading.

  5. step 05

    Add color to the figure's clothing and the flowers, keeping the palette limited.

  6. step 06

    Refine the water and reflections, using horizontal strokes and varying values.

  7. step 07

    Add highlights to create a sense of light and atmosphere.

  8. step 08

    Review and adjust values and details to achieve a cohesive and balanced composition.

color palette

primary · ivory black · burnt sienna · ultramarine blue

secondary · cadmium orange · raw umber

Mix ivory black with small amounts of burnt sienna to create various shades of gray. Use ultramarine blue sparingly for the sky and water. Mix burnt sienna and cadmium orange for the flowers.

techniques

  • ·hatching and cross-hatching
  • ·value shading
  • ·dry brushing
  • ·limited color palette

common pitfalls

  • →Overworking the details and losing the overall sense of light and shadow.
  • →Using too many colors and creating a muddy effect.
  • →Ignoring the proportions and perspective of the architecture.
  • →Not establishing a clear focal point.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·graphite pencils (HB, 2B, 4B)
  • ·watercolor paints or inks
  • ·round brushes (sizes 2, 4, 6)
  • ·water container
  • ·palette

optional

  • ·ruler
  • ·kneaded eraser
  • ·masking fluid
  • ·fine liner pens

Use a smooth watercolor paper for best results. Experiment with different types of pencils or inks to achieve the desired effect.

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