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home·artworks·View of the Swiss Alps (Mount Small Ruhen)
View of the Swiss Alps (Mount Small Ruhen) by Aleksey Savrasov

plate no. 7771

View of the Swiss Alps (Mount Small Ruhen)

Aleksey Savrasov, 1862

oil, canvasRealismlandscapemountainsskytreesrockslandscapeclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and creating depth through layering and value changes. It also provides practice in rendering realistic textures of rocks, trees, and snow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the mountain's placement and the converging lines of the valley.

  2. step 02

    Establish the sky with light blue and white, blending for soft clouds.

  3. step 03

    Block in the dark values of the mountainsides and foreground rocks using a mix of browns and blacks.

  4. step 04

    Begin layering lighter values on the mountains to define the snow-covered areas and create highlights.

  5. step 05

    Add details to the trees and foliage in the foreground, using varied greens and browns.

  6. step 06

    Refine the rock textures with dry brushing and subtle color variations.

  7. step 07

    Adjust the values and colors throughout the painting to create atmospheric perspective, making distant elements lighter and cooler.

  8. step 08

    Add final highlights and details to the snow and rocks to enhance realism.

color palette

primary · ultramarine blue · titanium white · burnt umber · raw sienna

secondary · yellow ochre · ivory black · sap green

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and ivory black for dark shadows, and raw sienna and white for highlights on the rocks. Mix greens from blue, yellow, and brown for foliage.

techniques

  • ·atmospheric perspective
  • ·value layering
  • ·dry brushing
  • ·color blending
  • ·scumbling

common pitfalls

  • →Overworking details too early
  • →Ignoring value relationships and atmospheric perspective
  • →Using colors straight from the tube without mixing
  • →Creating too much contrast in the foreground, flattening the depth

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, titanium white, burnt umber, raw sienna, yellow ochre, ivory black, sap green)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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