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home·artworks·View of the Ruined Castle in Rosemont
View of the Ruined Castle in Rosemont by Johan Jongkind

plate no. 3595

View of the Ruined Castle in Rosemont

Johan Jongkind, 1861

graphiteRealismsketch and studycastleruinslandscapetreesbuildingsky
suitable for beginners

Recreating this sketch will help students develop skills in tonal value sketching and capturing the essence of a scene with minimal detail. It's a good exercise in simplifying complex forms and creating a sense of depth using value changes.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 4 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the castle and landscape, focusing on proportions and placement.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Begin adding darker values to the shadows of the castle and foreground.

  4. step 04

    Use hatching and cross-hatching to build up the tonal range.

  5. step 05

    Add details to the castle ruins, such as broken edges and textures.

  6. step 06

    Indicate the foliage with loose, gestural strokes.

  7. step 07

    Soften some edges to create a sense of atmosphere.

  8. step 08

    Add final touches and refine the values.

color palette

primary · graphite · ivory black · raw umber

secondary · white (for paper)

Vary the pressure on the graphite to achieve different values. Dilute raw umber with water for lighter washes.

techniques

  • ·hatching
  • ·cross-hatching
  • ·tonal value sketching
  • ·atmospheric perspective
  • ·gestural drawing

common pitfalls

  • →Overworking the details and losing the spontaneity of the sketch.
  • →Creating overly harsh lines and neglecting the subtle tonal variations.
  • →Failing to establish a clear focal point.
  • →Not varying the pressure on the graphite enough to create depth.

materials

surface · sketchbook or drawing paper

required

  • ·graphite pencils (HB, 2B, 4B)
  • ·sketchbook or drawing paper
  • ·eraser
  • ·kneaded eraser
  • ·soft cloth or paper towel

optional

  • ·watercolor brush
  • ·raw umber watercolor

Use a smooth or slightly textured paper for best results. Experiment with different graphite grades to achieve a full range of values.

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