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home·artworks·View of the Roman Campagna
View of the Roman Campagna by Enrico Nardi

plate no. 2838

View of the Roman Campagna

Enrico Nardi

watercolor, canvasRealismlandscapelandscapefieldtreesbuildingmountainssky
suitable for beginners

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create depth and realism in a landscape. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the horizon line, the main shapes of the field, trees, building, and mountains.

  2. step 02

    Apply a light wash of diluted blue and purple for the sky, allowing it to blend softly.

  3. step 03

    Paint the distant mountains with a pale blue-gray wash, focusing on a soft, blurred effect.

  4. step 04

    Lay in the base colors for the field using a mix of greens, yellows, and browns, varying the tones to suggest depth and texture.

  5. step 05

    Add the darker shadows across the field using a slightly darker and cooler green mix.

  6. step 06

    Paint the trees with a mix of greens and browns, suggesting form with subtle variations in tone.

  7. step 07

    Add the building with a light ochre or yellow wash, adding subtle shadows to define its shape.

  8. step 08

    Refine details and add highlights to create a sense of realism.

color palette

primary · cerulean blue · yellow ochre · raw umber · sap green

secondary · burnt sienna · ultramarine blue · violet

Mix greens by blending yellow ochre and cerulean blue. Create atmospheric perspective by adding white or water to dilute colors for distant elements. Use burnt sienna and raw umber for earth tones.

techniques

  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·color layering
  • ·dry brush texture

common pitfalls

  • →Overworking the details too early.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the shadows too harsh.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb cold press)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·spray bottle
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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watercolor techniques →how to learn by studying the masters →
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