apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of the ancient castle of the Dukes of Burgundy in Brussels
View of the ancient castle of the Dukes of Burgundy in Brussels by Adriaen van de Velde

plate no. 7295

View of the ancient castle of the Dukes of Burgundy in Brussels

Adriaen van de Velde, 1672

oil, panelBaroquecityscapecastlebuildingsskycloudstreesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with subtle color variations. It also provides practice in depicting figures and animals within a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes of the castle, buildings, and landscape.

  2. step 02

    Establish the horizon line and the basic composition of the sky and ground.

  3. step 03

    Block in the main colors of the sky, using thin washes of blue, white, and grey.

  4. step 04

    Paint the distant buildings and castle with muted colors, focusing on their overall shapes and values.

  5. step 05

    Add details to the architecture, such as windows, roofs, and towers, using smaller brushes.

  6. step 06

    Paint the trees and foliage, varying the greens and browns to create depth and texture.

  7. step 07

    Add the figures and animals in the foreground, paying attention to their proportions and placement.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere and depth.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · raw sienna · ivory black · cadmium yellow light

Mix various shades of grey for the sky and buildings by combining white, blue, and a touch of umber. Create greens by mixing blue and yellow, and adjust with umber for muted tones.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering architectural details
  • ·figure painting

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a clear sense of depth.
  • →Using colors that are too saturated.
  • →Ignoring the subtle value changes in the sky and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·#2 round brush
  • ·#4 flat brush
  • ·#6 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to simplify the initial stages of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne