apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of the Ambulatory of the Grote Or St. Bavokerk at Haarlem
View of the Ambulatory of the Grote Or St. Bavokerk at Haarlem by Pieter Saenredam

plate no. 9922

View of the Ambulatory of the Grote Or St. Bavokerk at Haarlem

Pieter Saenredam, 1635

oilBaroqueinteriorarchitecturechurchinteriorarchescolumnsfigures
experienced study

Recreating this painting will help students develop skills in perspective, architectural rendering, and subtle value transitions to create depth. It also provides practice in depicting figures within a large space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Establish the horizon line and vanishing point(s) to guide the perspective.

  2. step 02

    Lightly sketch the basic structure of the arches, columns, and floor using perspective lines.

  3. step 03

    Block in the main areas of light and shadow with thin washes of color.

  4. step 04

    Refine the shapes of the arches and columns, paying close attention to the subtle curves and angles.

  5. step 05

    Add details to the windows, pulpit, and other architectural elements.

  6. step 06

    Paint the figures, focusing on their placement and scale within the space.

  7. step 07

    Develop the floor tiles, using perspective to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black

Achieve the subtle grays and browns by mixing raw umber, yellow ochre, and titanium white in varying proportions. Use burnt sienna for warmer tones and ivory black for darker shadows.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·value studies

common pitfalls

  • →Incorrect perspective, leading to a distorted image.
  • →Overly harsh value contrasts, resulting in a flat or unrealistic appearance.
  • →Neglecting the subtle color variations in the architecture.
  • →Inaccurate scale of the figures in relation to the architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·ruler

Use a fine-grain canvas to capture the details of the architecture. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne