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home·artworks·View of San Pietro di Castello, Venice
View of San Pietro di Castello, Venice by Rubens Santoro

plate no. 1838

View of San Pietro di Castello, Venice

Rubens Santoro

oilRealismcityscapewaterboatsbuildingsskyarchitecturefigures
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and creating depth through atmospheric perspective. It also provides practice in capturing architectural details and the subtle variations in light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, boats, and the horizon line.

  2. step 02

    Block in the sky with a thin layer of light blue, gradually darkening towards the top.

  3. step 03

    Establish the basic colors of the buildings and boats, paying attention to their values.

  4. step 04

    Start working on the water, using horizontal brushstrokes and capturing the reflections of the boats and buildings.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural features.

  6. step 06

    Refine the shapes and colors of the boats, adding sails and figures.

  7. step 07

    Adjust the values and colors throughout the painting to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · cadmium yellow · raw sienna · alizarin crimson

Mix different shades of blue and white for the sky. Use yellow ochre and burnt umber to create the warm tones of the buildings. Mix cadmium yellow with white to create the sails.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overworking the details in the buildings, losing the overall impression.
  • →Making the reflections in the water too symmetrical or uniform.
  • →Not capturing the subtle variations in color and value in the sky.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#2 detail brush
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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