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home·artworks·View of Rome, Piazza Navona
View of Rome, Piazza Navona by Enrico Nardi

plate no. 8109

View of Rome, Piazza Navona

Enrico Nardi

pen, watercolor, paperRealismcityscapecityscapearchitecturebuildingsplazafountainsky
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, watercolor layering, and creating atmospheric effects. It also provides practice in rendering architectural details and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural structures and perspective lines, paying attention to vanishing points.

  2. step 02

    Apply a light wash of diluted yellow ochre and burnt sienna to the sky, creating a soft, atmospheric background.

  3. step 03

    Begin layering washes of color on the buildings, starting with the lightest tones and gradually adding darker values to create depth and shadow.

  4. step 04

    Use a fine brush to add details to the architectural elements, such as windows, columns, and decorative features.

  5. step 05

    Paint the fountain and figures in the foreground, using a combination of wet-on-wet and dry brush techniques to create texture and detail.

  6. step 06

    Add shadows to the plaza to ground the buildings and figures.

  7. step 07

    Use a pen to add fine linework to define edges and details, especially in the architectural elements.

  8. step 08

    Evaluate and adjust the values and colors as needed to achieve a cohesive and realistic representation.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · cadmium red light · Payne's gray

Mix yellow ochre and burnt sienna for the warm tones of the buildings. Use ultramarine blue and burnt sienna to create grays for the shadows and pavement. Add a touch of cadmium red light to the building colors for warmth.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·pen and ink linework
  • ·perspective drawing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overworking the watercolor washes, resulting in muddy colors.
  • →Failing to establish a clear value structure, making the painting appear flat.
  • →Inaccurate proportions of architectural elements.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb or heavier)
  • ·drawing pencil (2H or HB)
  • ·eraser
  • ·ruler
  • ·fine liner pen

optional

  • ·palette knife
  • ·masking fluid
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. A variety of brush sizes will be helpful for different details.

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watercolor techniques →how to learn by studying the masters →
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