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home·artworks·View of Rhenen
View of Rhenen by Hercules Seghers

plate no. 4327

View of Rhenen

Hercules Seghers, 1630

oil, oakBaroquelandscapelandscapeskybuildingsfigurescloudstown
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle value changes. It also provides practice in rendering cloud formations and distant architectural details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm underpainting.

  2. step 02

    Lightly sketch the horizon line and the main elements of the composition: the hills, town, and sky.

  3. step 03

    Block in the sky with broad strokes, focusing on the subtle gradations of color and value.

  4. step 04

    Establish the basic shapes and values of the hills in the foreground, paying attention to the light and shadow.

  5. step 05

    Paint the distant town, simplifying the details and using atmospheric perspective to create depth.

  6. step 06

    Add the figures and animals in the foreground, keeping them small and in proportion to the landscape.

  7. step 07

    Refine the details of the clouds and the foreground, adding texture and highlights.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ivory black · Prussian blue

Achieve the subtle atmospheric effects by mixing varying amounts of white with the earth tones. Use small amounts of blue and black to create the darker tones in the clouds and shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·tonal painting

common pitfalls

  • →Overworking the details in the distant town.
  • →Creating too much contrast in the foreground.
  • →Failing to establish a clear sense of depth.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (raw umber, yellow ochre, titanium white, burnt sienna, ivory black, Prussian blue)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

A pre-toned canvas with a warm underpainting will help to create the overall mood of the painting. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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