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home·artworks·View of Positano
View of Positano by Vincenzo Caprile

plate no. 2140

View of Positano

Vincenzo Caprile, 1924

oil, canvasRealismlandscapelandscapebuildingsmountaintreesskyvillage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex scenes into manageable shapes and values. It provides practice in capturing the essence of a landscape with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain, buildings, and foliage, paying attention to the overall composition.

  2. step 02

    Establish the sky with a thin wash of light blue and gray.

  3. step 03

    Block in the large masses of the mountain and foliage with darker greens and browns.

  4. step 04

    Begin layering lighter greens and yellows to suggest sunlight on the foliage.

  5. step 05

    Add details to the buildings, using grays, browns, and whites to create form and texture.

  6. step 06

    Refine the details of the foliage, using small brushstrokes to create texture and depth.

  7. step 07

    Adjust the values and colors as needed to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · viridian green · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix greens by blending viridian green with yellow ochre and raw umber. Vary the greens by adding small amounts of blue or burnt sienna. Use white to lighten the values and create highlights.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using too much detail in the background, which can flatten the image.
  • →Not creating enough contrast between the light and dark areas.
  • →Failing to simplify the complex shapes of the foliage and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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