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home·artworks·View of Philiphaugh Farm, Selkirk at dawn
View of Philiphaugh Farm, Selkirk at dawn by Tom Scott

plate no. 6622

View of Philiphaugh Farm, Selkirk at dawn

Tom Scott, 1917

oilRealismlandscapelandscapecowsfarmskytreesfield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color mixing to create a sense of depth and mood. It also offers practice in rendering animal forms within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the farm buildings, trees, and cows.

  2. step 02

    Establish the sky with broad washes of diluted blues, grays, and pinks, blending the colors to create a soft, cloudy effect.

  3. step 03

    Paint the distant hills and trees with darker, muted tones of green and blue to create atmospheric perspective.

  4. step 04

    Block in the field with a base layer of green, then add variations in color and value to suggest texture and depth.

  5. step 05

    Paint the cows using a combination of browns, whites, and blacks, paying attention to their anatomy and proportions.

  6. step 06

    Add details to the farm buildings, such as windows, doors, and roofs, using a fine brush.

  7. step 07

    Refine the foreground with details like grass, rocks, and a small stream, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and highlights to the sky, trees, and field to enhance the overall sense of realism and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · alizarin crimson

Achieve the muted tones by mixing complementary colors and adding white or gray. Use thin washes for the sky and distant elements, and thicker paint for the foreground.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·dry brushing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Using colors that are too bright or saturated, which can detract from the overall mood.
  • →Neglecting the importance of value contrast, which can make the painting appear flat and lifeless.
  • →Not paying enough attention to the anatomy and proportions of the cows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a neutral color can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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