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home·artworks·View of Palace Square and Winter Palace in St. Petersburg
View of Palace Square and Winter Palace in St. Petersburg by Vasily Sadovnikov

plate no. 4220

View of Palace Square and Winter Palace in St. Petersburg

Vasily Sadovnikov, 1830

oilRealismcityscapebuildingscityscapefiguresskycolumnplaza
experienced study

Recreating this painting will help students develop skills in perspective, architectural rendering, and creating depth through atmospheric perspective. It also provides practice in depicting crowds of figures in a believable way.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural elements, paying attention to perspective and scale.

  2. step 02

    Establish the horizon line and vanishing points.

  3. step 03

    Block in the large shapes of the buildings and the column with diluted washes of color.

  4. step 04

    Begin adding details to the architecture, focusing on windows, columns, and ornamentation.

  5. step 05

    Paint the sky with soft, blended washes of blue and yellow.

  6. step 06

    Add the figures in the foreground, simplifying their forms and using a limited color palette.

  7. step 07

    Refine the details of the column and its base.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · raw umber · titanium white · cadmium yellow

Mix various shades of gray by combining ultramarine blue, burnt sienna, and white. Use yellow ochre and white to create the warm tones of the buildings and the sky. Add small amounts of red or brown to the ochre to create the ground color.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·wash technique
  • ·dry brushing
  • ·layering

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overworking the details and losing the overall impression.
  • →Using colors that are too saturated and not reflecting the muted tones of the original.
  • →Failing to create a sense of depth and distance.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (1/2 inch)
  • ·palette
  • ·water container
  • ·masking tape

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling. Consider using masking tape to secure the paper to a board.

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oil painting for beginners →how to learn by studying the masters →
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