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home·artworks·View Of Dordrecht From The North
View Of Dordrecht From The North by Jan van Goyen

plate no. 4466

View Of Dordrecht From The North

Jan van Goyen

oilBaroquemarinaboatswaterskycloudscityscapefigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in painting detailed scenes with many small figures and objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of the main boats and the cityscape.

  2. step 02

    Block in the sky with light blues and grays, creating soft transitions between the colors to suggest clouds.

  3. step 03

    Establish the water with horizontal strokes, using darker tones near the foreground and lighter tones towards the horizon.

  4. step 04

    Paint the distant cityscape with muted colors and soft edges to create atmospheric perspective.

  5. step 05

    Add the boats in the foreground, focusing on their shapes and the details of the sails and figures.

  6. step 06

    Refine the reflections in the water, using vertical strokes and slightly darker tones than the objects above.

  7. step 07

    Add details such as the flags, birds, and small ripples in the water.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna

Mix raw umber and white for the sails, adding small amounts of blue or sienna to adjust the tone. Use varying amounts of white with blue and umber to create the sky and water.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·dry brushing

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Making the reflections too bright or too sharp, which can look unnatural.
  • →Using colors that are too saturated, which can detract from the overall atmosphere.
  • →Failing to establish a clear focal point, which can make the composition feel cluttered.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, titanium white, Prussian blue, yellow ochre, burnt sienna)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 1/2 inch, 1 inch)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas (e.g., light gray or raw umber) to help establish the values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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