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home·artworks·View of Dordrecht
View of Dordrecht by Aelbert Cuyp

plate no. 6359

View of Dordrecht

Aelbert Cuyp, 1655

oilBaroquelandscapeboatswaterskybuildingsfigurescityscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in creating subtle color gradations to depict light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, major shapes of the boats, buildings, and figures.

  2. step 02

    Block in the sky with light, muted tones, creating soft transitions between colors.

  3. step 03

    Establish the base color of the water, then add reflections of the boats and buildings, paying attention to distortion.

  4. step 04

    Paint the distant shoreline and buildings with muted colors to create atmospheric perspective.

  5. step 05

    Add details to the boats, including sails, rigging, and figures.

  6. step 06

    Paint the figures in the rowboat, focusing on capturing their basic shapes and colors.

  7. step 07

    Refine the details of the buildings and the tower, adding highlights and shadows.

  8. step 08

    Add final touches, such as birds in the sky and small details in the water.

color palette

primary · titanium white · raw umber · yellow ochre · ultramarine blue

secondary · burnt sienna · cadmium yellow light · ivory black

Achieve the muted tones by mixing white with small amounts of umber, ochre, and blue. Use burnt sienna and yellow to create the warm highlights on the buildings and boats. Mix black with other colors to create darker values.

techniques

  • ·atmospheric perspective
  • ·rendering reflections
  • ·glazing
  • ·scumbling
  • ·wet-on-dry blending

common pitfalls

  • →overly bright colors
  • →lack of subtle value changes
  • →incorrect perspective in reflections
  • →overworking details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a canvas with a smooth surface to facilitate blending. Consider using a pre-toned canvas with a light umber wash to create a warm base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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