apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View of Chioggia
View of Chioggia by Mosè Bianchi

plate no. 2419

View of Chioggia

Mosè Bianchi, 1885

oil, panelRealismcityscapeboatsbuildingswaterfiguresskycityscape
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes and simplifying complex scenes into essential shapes and values. It's also a good exercise in depicting reflections and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, boats, and horizon line.

  2. step 02

    Block in the large areas of color: sky, water, buildings, and ground, using thin washes.

  3. step 03

    Establish the darkest darks and lightest lights to create a value structure.

  4. step 04

    Add details to the buildings and boats, focusing on capturing their form with simple brushstrokes.

  5. step 05

    Develop the reflections in the water, using horizontal strokes and slightly desaturated colors.

  6. step 06

    Paint the figures, simplifying their forms and focusing on their placement within the scene.

  7. step 07

    Refine the details and add highlights to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · raw sienna · cadmium yellow

Mix various shades of brown and ochre by combining burnt umber, yellow ochre, and white. Use ultramarine blue and white for the sky and water, adding touches of ochre to warm the water's color. Mix greens by combining blue and yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Making the reflections too bright or too detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy