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home·artworks·View of Brussels from the North East
View of Brussels from the North East by Hercules Seghers

plate no. 3537

View of Brussels from the North East

Hercules Seghers, 1625

oil, oakBaroquelandscapelandscapecityscapebuildingsskytreeshill
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering complex forms with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm, toned ground.

  2. step 02

    Lightly sketch the basic composition, focusing on the horizon line and major shapes of the buildings and landscape.

  3. step 03

    Block in the sky with a thin wash of muted purples and grays, allowing some of the toned ground to show through.

  4. step 04

    Establish the dark masses of the buildings and trees using a mix of burnt umber and a touch of black.

  5. step 05

    Begin layering lighter tones onto the landscape and buildings to suggest form and light, using a dry brush technique.

  6. step 06

    Add subtle details to the buildings and trees, focusing on capturing their overall shape rather than precise details.

  7. step 07

    Refine the sky with additional layers of color, creating a sense of atmospheric perspective.

  8. step 08

    Add final highlights to the foreground to create a sense of depth.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · ivory black

Achieve muted tones by mixing complementary colors. Use white sparingly to avoid overly bright colors. Create atmospheric perspective by adding blue to distant objects.

techniques

  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Ignoring the importance of the toned ground.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

A canvas with a slightly textured surface will enhance the dry brush effect. Consider using a pre-toned canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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