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home·artworks·View in Plyos
View in Plyos by Isaac Levitan

plate no. 5177

View in Plyos

Isaac Levitan, 1888

oilRealismlandscapebuildingslandscapetreesvillageskyfoliage
some experience helpful

Recreating this painting will help students develop skills in depicting form with visible brushstrokes and understanding atmospheric perspective through color and value changes. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, hill, and foreground.

  2. step 02

    Establish the basic color blocks for the sky, hill, and ground.

  3. step 03

    Block in the dark values of the buildings, paying attention to the light direction.

  4. step 04

    Begin adding details to the buildings, using visible brushstrokes to define the structure.

  5. step 05

    Develop the foliage with varying shades of green, using broken color and short strokes.

  6. step 06

    Add highlights to the roofs and foliage to create a sense of light and depth.

  7. step 07

    Refine the foreground with textured brushstrokes, suggesting grass and dirt.

  8. step 08

    Add final details and adjust values to create a cohesive and atmospheric scene.

color palette

primary · viridian green · yellow ochre · ultramarine blue

secondary · burnt umber · titanium white · cadmium yellow

Mix greens by combining viridian green with yellow ochre or cadmium yellow. Use white to lighten values and create atmospheric perspective. Burnt umber is used to create dark accents and shadows.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the light source and creating inconsistent shadows.
  • →Failing to simplify the scene and getting bogged down in unnecessary details.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (viridian green, yellow ochre, ultramarine blue, burnt umber, titanium white, cadmium yellow)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil or other painting medium
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (alkyd)
  • ·retouch varnish
  • ·easel

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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