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home·artworks·View from the Quai d'Orsay
View from the Quai d'Orsay by Johan Jongkind

plate no. 8044

View from the Quai d'Orsay

Johan Jongkind, 1854

oilRealismmarinariverboatsskybuildingsfigurescrane
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle nuances of light and shadow in a landscape. It also provides practice in rendering reflections in water and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main shapes and composition.

  2. step 02

    Block in the sky with broad strokes, focusing on the cloud formations and color variations.

  3. step 03

    Establish the horizon line and the basic shapes of the buildings and trees in the background.

  4. step 04

    Paint the river, paying attention to the reflections of the sky and the surrounding objects.

  5. step 05

    Add the boats and figures in the foreground, focusing on their shapes and proportions.

  6. step 06

    Paint the crane, using dark colors to define its structure.

  7. step 07

    Add details to the buildings, boats, and figures, using smaller brushes.

  8. step 08

    Refine the overall composition and add any final touches.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix ultramarine blue and white for the sky, adding a touch of raw umber for the darker areas. Use raw umber and yellow ochre for the earth tones, and burnt sienna for the warmer areas. Mix ivory black with other colors to create shadows and dark tones.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much detail in the background, which can flatten the composition.
  • →Not paying attention to the color temperature of the light and shadow.
  • →Failing to create a sense of depth in the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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