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home·artworks·View from the National Gallery
View from the National Gallery by John O'Connor

plate no. 0654

View from the National Gallery

John O'Connor, 1881

oil, canvasRealismcityscapecityscapebuildingsstatuessnowfiguresarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, creating depth through tonal variations, and rendering architectural details with simplified forms. It also provides practice in capturing a sense of light and atmosphere in a cityscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective lines.

  2. step 02

    Block in the main shapes and areas of color, focusing on the overall tonal values.

  3. step 03

    Establish the sky and atmospheric haze with thin washes of color.

  4. step 04

    Develop the buildings and architectural details, paying attention to perspective and proportion.

  5. step 05

    Add the statues and figures, simplifying their forms and focusing on their silhouettes.

  6. step 06

    Refine the details and add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ivory black

Achieve the muted tones by mixing yellow ochre, raw umber, and white in varying proportions. Use burnt sienna to add warmth and ivory black to create shadows and darker values.

techniques

  • ·atmospheric perspective
  • ·tonal painting
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Creating colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, raw umber, titanium white, burnt sienna, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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