apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View from the Cellar of Diego Martelli
View from the Cellar of Diego Martelli by Giuseppe Abbati

plate no. 7418

View from the Cellar of Diego Martelli

Giuseppe Abbati

oilRealismcityscapebuildinggardenarchitecturetreesshadowsdoorway
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict light and shadow to create depth. It also provides practice in rendering architectural details and foliage.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective lines.

  2. step 02

    Block in the large shapes of the building, foliage, and doorway with thin washes of color.

  3. step 03

    Establish the darkest shadows within the doorway and on the building.

  4. step 04

    Gradually build up the colors and values, focusing on the interplay of light and shadow.

  5. step 05

    Add details to the architecture, such as the arches and window.

  6. step 06

    Refine the foliage with short, broken brushstrokes.

  7. step 07

    Pay attention to the atmospheric perspective, making distant elements softer and less detailed.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · sap green · cadmium red light · yellow ochre

Mix various shades of gray and brown by combining raw umber and titanium white. Achieve the green foliage by mixing sap green with yellow ochre and a touch of blue. Use small amounts of cadmium red to add warmth to certain areas.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Ignoring atmospheric perspective.
  • →Not paying attention to the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·sap green oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy