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home·artworks·Vid Pianot
Vid Pianot by Eugène Jansson

plate no. 2764

Vid Pianot

Eugène Jansson, 1886

oilRealismgenre paintinginteriorpianofigurepaintingsfurnitureplant
some experience helpful

Recreating this painting will help students develop skills in depicting complex interior scenes with multiple light sources and learn to create depth through atmospheric perspective and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the piano, figure, and furniture.

  2. step 02

    Establish the overall value structure by blocking in the dark background and lighter foreground.

  3. step 03

    Begin to refine the shapes of the piano, chairs, and figure, paying attention to their proportions and details.

  4. step 04

    Mix and apply the base colors for the walls, floor, and furniture, gradually building up layers of paint.

  5. step 05

    Add details to the paintings on the wall, the plant, and the musical score, using smaller brushes.

  6. step 06

    Refine the lighting and shadows, focusing on the areas where light hits the objects.

  7. step 07

    Add final details and highlights to create a sense of realism and depth.

  8. step 08

    Glaze with thin layers of color to unify the painting and create atmospheric effects.

color palette

primary · ivory black · raw umber · burnt sienna · cadmium yellow

secondary · ultramarine blue · titanium white · alizarin crimson

Achieve the dark, muted tones by mixing black, umber, and a touch of blue. Use white to create highlights and lighter areas. Mix crimson and umber for the figure's dress.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle shifts in color temperature.
  • →Not creating enough depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium yellow oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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