apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·via Dolorosa
via Dolorosa by Eugène Burnand

plate no. 8957

via Dolorosa

Eugène Burnand, 1905

oilRealismreligious paintingfigurescrowdreligious scenecrosssoldiershistorical
experienced study

Recreating this painting will help students develop skills in rendering complex figures, capturing emotional expressions, and creating depth through atmospheric perspective and subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to define the overall composition and placement of figures.

  2. step 02

    Establish the darkest and lightest values to create a tonal map.

  3. step 03

    Block in the main shapes and colors of the figures and background.

  4. step 04

    Refine the details of the faces and clothing, paying attention to light and shadow.

  5. step 05

    Develop the atmospheric perspective by softening edges and muting colors in the background.

  6. step 06

    Add highlights and details to create a sense of realism.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · ivory black · cadmium red · yellow ochre

secondary · ultramarine blue · viridian green · raw sienna

Achieve the muted tones by mixing complementary colors and using a limited palette. Use glazes of burnt umber and black to create depth and shadows.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Inaccurate proportions and anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, ivory black, cadmium red, yellow ochre, ultramarine blue, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next glaze.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy