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home·artworks·Via De' Malcontenti
Via De' Malcontenti by Telemaco Signorini

plate no. 6572

Via De' Malcontenti

Telemaco Signorini, 1886

oilRealismcityscapecityscapebuildingshorsecarriagerainstreet
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, rendering reflections, and simplifying complex architectural forms into basic shapes. It also provides practice in creating a sense of mood and atmosphere through color and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the buildings, horse and carriage, and figures.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber and raw sienna, paying attention to the light source.

  3. step 03

    Block in the main shapes of the buildings using a limited palette of earth tones, gradually adding details and variations in color.

  4. step 04

    Paint the sky with soft, blended strokes of gray and white, creating a sense of overcast weather.

  5. step 05

    Add the horse and carriage, focusing on capturing the form and texture with loose brushstrokes.

  6. step 06

    Render the reflections on the wet street using horizontal strokes and subtle variations in value.

  7. step 07

    Add the figures with umbrellas, simplifying their forms and focusing on their silhouettes.

  8. step 08

    Refine the details and add highlights to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · payne's gray · sap green · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, and payne's gray with white. Use sap green sparingly to create subtle variations in the umbrellas and foliage.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·rendering reflections

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to simplify the complex architectural forms.
  • →Not capturing the subtle variations in color and value in the reflections.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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