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home·artworks·Venice, Palazzo Contarini
Venice, Palazzo Contarini by Antonietta Brandeis

plate no. 0099

Venice, Palazzo Contarini

Antonietta Brandeis

oil, panelRealismcityscapebuildingswaterskyfigurescanalarchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering architectural details with light and shadow, and in capturing the reflections in water. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes of the buildings, canal, and figures, focusing on accurate proportions and perspective.

  2. step 02

    Block in the sky with a thin layer of light blue, blending smoothly.

  3. step 03

    Establish the basic colors and values of the buildings, using a limited palette of earth tones.

  4. step 04

    Add the darker tones to create shadows and define the architectural details.

  5. step 05

    Paint the water, capturing the reflections of the buildings and sky.

  6. step 06

    Refine the details of the buildings, including windows, balconies, and ornamentation.

  7. step 07

    Add the figures in the foreground, paying attention to their proportions and interaction.

  8. step 08

    Add final highlights and details to enhance the overall realism and depth.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · viridian

Mix various shades of brown and beige by combining raw umber, burnt sienna, and white. Use cerulean blue with white for the sky and water. Add a touch of yellow ochre to warm up the building colors.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Getting the perspective wrong on the buildings.
  • →Overworking the details too early in the process.
  • →Making the colors too saturated or unrealistic.
  • →Failing to capture the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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