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home·artworks·Venetian Wineshop
Venetian Wineshop by John Singer Sargent

plate no. 7147

Venetian Wineshop

John Singer Sargent, 1898

oil, canvasRealismgenre paintingfiguresinteriortablewineclothingarchitecture
experienced study

Recreating this painting will help students develop skills in depicting figures in an interior setting and capturing the effects of light and shadow on different surfaces. It also provides practice in creating a sense of depth and atmosphere using color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main architectural elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin to refine the shapes of the figures, paying attention to their proportions and gestures.

  4. step 04

    Develop the background details, such as the shelves, bottles, and hanging decorations.

  5. step 05

    Mix and apply the local colors of the figures' clothing and skin tones.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Use broken brushstrokes to suggest texture and detail.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of black and white. Use yellow ochre and cadmium red to create the warm highlights on the figures' faces and clothing. Add ultramarine blue to darken shadows and create a sense of depth.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·chiaroscuro
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated and bright.
  • →Ignoring the subtle variations in color and tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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