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home·artworks·Vell Amb Les Seves Glòries
Vell Amb Les Seves Glòries by Joan Brull

plate no. 6613

Vell Amb Les Seves Glòries

Joan Brull, 1887

oilRealismportraitportraitfiguremanpipetablecup
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and atmosphere through subtle value and color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and table.

  2. step 02

    Establish the background with broad, loose strokes of dark browns and ochres.

  3. step 03

    Block in the main shapes of the figure, including the head, beard, torso, and limbs.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the face.

  5. step 05

    Develop the details of the beard, using short, broken strokes to create texture and volume.

  6. step 06

    Paint the clothing and hands, focusing on the folds and wrinkles in the fabric and skin.

  7. step 07

    Add the table and objects, such as the pipe and cup, using similar techniques to create depth and realism.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a cohesive and atmospheric effect.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · viridian green · cadmium red light

Mix various shades of brown and ochre by combining burnt umber, raw sienna, and titanium white. Use ultramarine blue and burnt umber to create darker shadows. Mix small amounts of cadmium red into skin tones for warmth.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grit canvas for best results. Consider using a toned ground to create a warmer base for the painting.

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oil painting for beginners →how to learn by studying the masters →
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