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home·artworks·Velha a dobar
Velha a dobar by Henrique Pousao

plate no. 1417

Velha a dobar

Henrique Pousao, 1881

oilRealismgenre paintingfigurelandscapefieldhatshawlyarn
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for natural light, and creating texture with visible brushstrokes. It also provides practice in capturing the folds and drapery of clothing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and the background landscape.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin layering in the local colors of the skin, clothing, and background, focusing on accurate color mixing.

  4. step 04

    Develop the details of the face, hands, and hat, paying attention to subtle value changes.

  5. step 05

    Add texture to the clothing and background with visible brushstrokes, varying the direction and pressure.

  6. step 06

    Refine the edges and contours of the figure and objects, softening or sharpening them as needed.

  7. step 07

    Add the final highlights and shadows to create depth and dimension.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Achieve skin tones by blending yellow ochre, cadmium red, and white, with touches of burnt umber for shadows. Use white to lighten blues and yellows for the sky and highlights.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to accurately capture the proportions of the figure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle value changes that create depth and form.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: yellow ochre, ultramarine blue, burnt umber, titanium white, cadmium red, sap green, raw sienna
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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