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home·artworks·Vanitas Still Life with Thinking Young Man
Vanitas Still Life with Thinking Young Man by Samuel Dirksz van Hoogstraten

plate no. 2020

Vanitas Still Life with Thinking Young Man

Samuel Dirksz van Hoogstraten, 1645

oilBaroquegenre paintingstill lifefigureviolinglobesheet musicwindow
experienced study

Recreating this painting will develop skills in rendering complex still life objects with realistic textures and understanding chiaroscuro to create depth and drama. Students will also learn to depict human figures in a subtle and expressive way.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and proportions of the main elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on the gradations of light and shadow.

  4. step 04

    Start refining the objects, paying attention to their individual forms and textures.

  5. step 05

    Work on the figure, focusing on accurate proportions and subtle shading.

  6. step 06

    Add details such as the sheet music, globe details, and violin strings.

  7. step 07

    Refine the highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Add final glazes to unify the painting and adjust the color balance.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · Prussian blue · Naples yellow

Achieve the warm, muted tones by mixing earth tones with white and small amounts of other colors. Use glazes of thinned paint to build up depth and create subtle color variations.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·rendering textures

common pitfalls

  • →getting proportions wrong in the initial sketch
  • →overworking details too early
  • →creating muddy colors by overmixing
  • →failing to create a convincing sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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