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home·artworks·Valle de México desde las lomas de Tacubaya
Valle de México desde las lomas de Tacubaya by Jose Maria Velasco

plate no. 3141

Valle de México desde las lomas de Tacubaya

Jose Maria Velasco, 1876

oilRealismlandscapelandscapemountainsskyvegetationbuildingsfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering to create depth in a landscape. It also provides practice in rendering realistic foliage and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with light blues and whites, creating soft cloud formations.

  3. step 03

    Establish the distant mountains using muted blues and purples to create atmospheric perspective.

  4. step 04

    Paint the mid-ground plains with a mix of browns, greens, and yellows, varying the tones to suggest depth.

  5. step 05

    Add the buildings and trees in the mid-ground, paying attention to their relative sizes and positions.

  6. step 06

    Block in the foreground vegetation with darker greens and browns, adding highlights to suggest form.

  7. step 07

    Paint the path with warm earth tones, creating a sense of depth and perspective.

  8. step 08

    Add the figure and animals, paying attention to their proportions and placement within the scene.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · sap green · cadmium yellow · alizarin crimson

Achieve the atmospheric perspective by mixing blues and purples with white. Create earth tones by mixing burnt umber, yellow ochre, and white. Muted greens are achieved by mixing sap green with burnt umber.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·blending

common pitfalls

  • →Overly saturated colors in the distance, which will flatten the perspective.
  • →Lack of variation in the greens, making the foliage appear monotonous.
  • →Incorrect proportions of the figure and animals.
  • →Ignoring the subtle shifts in value and color that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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