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home·artworks·Valle de México desde el Tapeyac
Valle de México desde el Tapeyac by Jose Maria Velasco

plate no. 0416

Valle de México desde el Tapeyac

Jose Maria Velasco, 1901

oilRealismlandscapelandscapemountainsbuildingstreesskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color and value changes. It also provides practice in rendering realistic foliage and architectural forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of major elements.

  2. step 02

    Block in the sky with light blues and whites, creating soft cloud formations.

  3. step 03

    Establish the distant mountains with muted purples and blues, using lighter values for the more distant peaks.

  4. step 04

    Lay in the mid-ground plains with a mix of greens, browns, and yellows, varying the tones to suggest depth.

  5. step 05

    Paint the buildings and trees in the foreground, adding details and shadows to create form.

  6. step 06

    Add the figures on the path, keeping them small in scale to maintain the perspective.

  7. step 07

    Refine the details of the foreground, including the path, rocks, and vegetation.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing complementary colors and adding white. Use glazes of thinned color to create atmospheric effects.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overly saturated colors can flatten the image.
  • →Lack of value contrast can make the painting appear dull.
  • →Ignoring atmospheric perspective will reduce the sense of depth.
  • →Too much detail in the background will distract from the focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to establish a base color.

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