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home·artworks·Valle de México desde el cerro de Tepeyac
Valle de México desde el cerro de Tepeyac by Jose Maria Velasco

plate no. 2870

Valle de México desde el cerro de Tepeyac

Jose Maria Velasco, 1894

oilRealismlandscapemountainslandscapetreesfiguresskytown
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic foliage and distant details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major landforms, mountains, and the horizon line.

  2. step 02

    Establish the sky with soft, blended blues and whites, paying attention to the cloud formations.

  3. step 03

    Block in the distant mountains with muted purples and browns, using lighter values for mountains further away.

  4. step 04

    Paint the mid-ground plains with a mix of greens, yellows, and browns, varying the tones to suggest fields and vegetation.

  5. step 05

    Add the details of the town in the distance, keeping the details soft and indistinct.

  6. step 06

    Focus on the foreground, painting the trees and foliage with varied greens and browns, adding highlights and shadows for depth.

  7. step 07

    Include the figures on the path, paying attention to their relative scale and placement.

  8. step 08

    Add final details and highlights to enhance the overall realism and depth of the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Create muted purples for the distant mountains by mixing blues, reds, and browns. Achieve varied greens for the foliage by mixing blues, yellows, and browns.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant areas, which should remain soft and indistinct.
  • →Creating too much contrast in the foreground, which can flatten the image.
  • →Using overly saturated colors, which can detract from the realism of the scene.
  • →Ignoring the subtle value shifts that create depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for optimal texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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