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home·artworks·Untitled
Untitled by Charles-Francois Daubigny

plate no. 8400

Untitled

Charles-Francois Daubigny

oilRealismlandscapelandscapetreesmoonfieldfiguresky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth using subtle value changes. It also provides practice in rendering foliage and soft, diffused light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, major tree masses, and the position of the moon.

  2. step 02

    Establish the overall color scheme by applying a thin wash of muted purple and brown tones for the sky and ground.

  3. step 03

    Block in the dark masses of the trees and foliage using a mix of dark greens and browns, paying attention to their shapes and silhouettes.

  4. step 04

    Add the moon using a light yellow, and blend the surrounding area to create a soft glow.

  5. step 05

    Begin layering details in the field, using short, broken brushstrokes to suggest grass and vegetation.

  6. step 06

    Introduce lighter values to indicate areas of reflected light, particularly in the foreground and around the moon.

  7. step 07

    Refine the shapes of the trees and foliage, adding subtle variations in color and texture.

  8. step 08

    Add the figure in the foreground, keeping it simple and indistinct.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · alizarin crimson · titanium white

Achieve the muted purples and browns by mixing ultramarine blue, alizarin crimson, and burnt umber. Use yellow ochre and white for the moon's glow.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·broken color
  • ·glazing
  • ·blending

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the colors too saturated and bright.
  • →Failing to create a sense of depth and distance.
  • →Making the moon too harsh and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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