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home·artworks·Union Soldiers Accepting a Drink
Union Soldiers Accepting a Drink by Eastman Johnson

plate no. 0105

Union Soldiers Accepting a Drink

Eastman Johnson, 1865

oilRealismgenre paintingfiguresbuildingtreeslandscapefoliagepath
some experience helpful

Recreating this painting will help students develop skills in rendering figures in shadow and creating depth through atmospheric perspective. It also provides practice in capturing the textures of wood, foliage, and stone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the building, figures, and tree arch.

  2. step 02

    Establish the basic color blocks for the sky, distant hills, and foreground.

  3. step 03

    Paint the building, focusing on the wood grain and shadow patterns.

  4. step 04

    Add the foliage, using varying shades of green and brown to create depth and texture.

  5. step 05

    Render the figures, paying attention to the light and shadow on their clothing and faces.

  6. step 06

    Paint the path and foreground details, including the rocks and grass.

  7. step 07

    Add the small details like the apples on the tree and the writing on the building.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a cohesive image.

color palette

primary · burnt umber · yellow ochre · Prussian blue · titanium white

secondary · cadmium red · sap green · raw sienna

Mix greens by combining Prussian blue and yellow ochre. Use burnt umber and white for shadows and to create muted tones. Add small amounts of cadmium red to warm up browns and greens.

techniques

  • ·atmospheric perspective
  • ·chiaroscuro
  • ·scumbling
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details in the foliage, resulting in a flat, unrealistic appearance.
  • →Failing to create sufficient contrast between light and shadow, making the painting look dull.
  • →Incorrectly rendering the perspective of the building, leading to a distorted image.
  • →Not capturing the subtle color variations in the foliage and ground.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (for oil paints)
  • ·odorless mineral spirits (for cleaning)

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for best results. Consider using a toned canvas (e.g., a light brown or gray) to help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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