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home·artworks·Ugolino and His Children
Ugolino and His Children by Joshua Reynolds

plate no. 3704

Ugolino and His Children

Joshua Reynolds, 1770

oil, canvasBaroquehistory paintingfiguresinteriorprisonfamilyemotionsuffering
experienced study

Recreating this painting will help students develop skills in dramatic lighting, figure painting, and conveying emotion through facial expressions and body language. It also provides practice in creating a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the dark background and general light source direction.

  3. step 03

    Block in the main areas of color for each figure, using thin washes.

  4. step 04

    Begin building up the light and shadow on the faces and hands, paying close attention to the value relationships.

  5. step 05

    Refine the details of the clothing and hair, adding texture with visible brushstrokes.

  6. step 06

    Adjust the overall contrast and atmosphere, adding glazes to deepen the shadows and highlights.

  7. step 07

    Add final details to the faces and hands to emphasize the emotional expressions.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Add small amounts of cadmium red and yellow ochre to create warmer tones for the skin and clothing. Use glazes of burnt umber and ivory black to deepen the shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Failing to establish a strong value contrast, resulting in a flat and lifeless painting.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Incorrect proportions of the figures.
  • →Inaccurate rendering of facial expressions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use a high-quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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