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home·artworks·Tzar Ivan the Terrible asks Abbot Cornelius to mow him to the monks
Tzar Ivan the Terrible asks Abbot Cornelius to mow him to the monks by Klavdy Lebedev

plate no. 7045

Tzar Ivan the Terrible asks Abbot Cornelius to mow him to the monks

Klavdy Lebedev

oilRealismhistory paintingfiguresinteriormonkshistoricalwindowcarpet
experienced study

Recreating this painting will help students develop skills in figure drawing, composition with multiple subjects, and rendering textures like fabric and fur. It also provides practice in creating a sense of depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background and figures.

  3. step 03

    Develop the values and details of the figures, starting with the faces and hands.

  4. step 04

    Add details to the clothing and other objects, paying attention to texture and light.

  5. step 05

    Refine the background and create a sense of depth.

  6. step 06

    Add highlights and shadows to create contrast and dimension.

  7. step 07

    Adjust colors and values to create a harmonious overall effect.

  8. step 08

    Add final details and refine the edges of the forms.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the dark robes by mixing ivory black with burnt umber and a touch of ultramarine blue. Create the skin tones by mixing titanium white, yellow ochre, and cadmium red. Use raw sienna and burnt umber for the wooden interior.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of value contrast
  • →Poorly defined edges

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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