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home·artworks·Two young ladies reading a letter
Two young ladies reading a letter by Jules Trayer

plate no. 4645

Two young ladies reading a letter

Jules Trayer

oil, canvasRealismgenre paintingfiguresinteriorletterdresschairtable
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabric textures, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing subtle emotional nuances in facial expressions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and placement of figures and objects.

  2. step 02

    Establish the background with thin washes of color, paying attention to the subtle variations in tone and value.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, using a limited palette.

  4. step 04

    Begin to refine the details of the faces, focusing on capturing the light and shadow to create form.

  5. step 05

    Add details to the clothing, such as folds, lace, and textures, using a variety of brushstrokes.

  6. step 06

    Paint the details of the chair, table, and other objects in the scene, paying attention to their textures and colors.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and atmosphere.

  8. step 08

    Add final details, such as highlights and shadows, to bring the painting to life.

color palette

primary · ivory black · burnt umber · emerald green · cadmium red

secondary · yellow ochre · titanium white · ultramarine blue

Achieve the skin tones by mixing white, red, and yellow ochre with small amounts of burnt umber. Use ultramarine blue and burnt umber to create the dark blacks and greens. Mix emerald green with yellow ochre and white for the dress.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overblending skin tones
  • →Neglecting subtle color variations
  • →Failing to create a sense of depth
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, burnt umber, emerald green, cadmium red, yellow ochre, titanium white, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more harmonious color palette.

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oil painting for beginners →how to learn by studying the masters →
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