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home·artworks·Two Young Bretons
Two Young Bretons by Jules Trayer

plate no. 0240

Two Young Bretons

Jules Trayer

oil, canvasRealismgenre paintingfigureswomenbasketclothinglandscapebuilding
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure painting, and capturing realistic light and shadow. It also provides practice in rendering textures like fabric and woven baskets.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the basket.

  2. step 02

    Establish the background with broad, loose strokes of muted greens and browns.

  3. step 03

    Block in the main shapes of the figures, paying attention to the overall values and color temperatures.

  4. step 04

    Begin refining the facial features, using subtle variations in color and value to create form.

  5. step 05

    Develop the details of the clothing, capturing the folds and textures of the fabric.

  6. step 06

    Paint the basket, focusing on the intricate weave and the objects it contains.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figures and objects.

  8. step 08

    Make final adjustments to the composition, ensuring that all elements work together harmoniously.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ultramarine blue · cadmium yellow

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use small amounts of ultramarine blue to cool down the browns and create shadows. Add yellow ochre and cadmium yellow to create warmer highlights.

techniques

  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in color and value that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ivory black, raw umber, yellow ochre, titanium white, burnt sienna, ultramarine blue, cadmium yellow)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette

optional

  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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