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home·artworks·Two Workers on Strike
Two Workers on Strike by Nicolae Vermont

plate no. 7565

Two Workers on Strike

Nicolae Vermont

oilRealismgenre paintingfigurestablefoodinteriornewspaperbowl
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and conveying emotion through subtle value changes. Students will also learn to create depth and form using chiaroscuro techniques.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and areas of light and shadow using a limited palette of grays and browns.

  3. step 03

    Gradually build up the values, adding darker tones to create depth and form.

  4. step 04

    Pay close attention to the facial features and expressions of the figures, using subtle value changes to capture their likeness.

  5. step 05

    Add details to the objects on the table, such as the bowl, glass, and newspaper.

  6. step 06

    Refine the background, adding subtle variations in tone to create depth.

  7. step 07

    Adjust the overall values and contrast to create a sense of drama and mood.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · raw umber

secondary · burnt umber · payne's gray

Achieve subtle gray tones by mixing black and white in varying ratios. Add small amounts of raw umber or burnt umber to warm or cool the grays as needed.

techniques

  • ·chiaroscuro
  • ·dry brushing
  • ·scumbling
  • ·portraiture
  • ·grisaille

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall form.
  • →Using too much contrast, resulting in a harsh or unrealistic image.
  • →Neglecting the subtle value changes in the faces, resulting in a flat or lifeless portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A toned canvas (e.g., with a thin wash of raw umber) can be helpful for establishing values quickly.

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oil painting for beginners →how to learn by studying the masters →
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