apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Two women with a child in court
Two women with a child in court by Pieter de Hooch

plate no. 0746

Two women with a child in court

Pieter de Hooch, 1657

oil, panelBaroquegenre paintingfiguresarchitecturecourtyarddomestic scenebrickbuildings
some experience helpful

Recreating this painting will help students understand how to depict figures in a believable space using light and shadow, and how to create a sense of depth through atmospheric perspective and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main architectural elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the architectural details, paying attention to the perspective of the brickwork and the buildings in the background.

  4. step 04

    Develop the figures, starting with the larger shapes and gradually adding details to the faces and clothing.

  5. step 05

    Mix and apply the local colors for the figures, buildings, and ground, adjusting values and hues to create a sense of depth.

  6. step 06

    Add highlights and shadows to create form and dimension, paying attention to the direction of the light source.

  7. step 07

    Refine the details, such as the textures of the brick and the folds in the clothing.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · raw umber · yellow ochre · ivory black

secondary · vermilion · ultramarine blue · titanium white

Achieve the muted tones by mixing earth pigments with small amounts of blue and white. Use glazes of raw umber to create depth and shadow.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, yellow ochre, ivory black, vermilion, ultramarine blue, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·medium

Use a medium-grit canvas for a slightly textured surface. Consider using a toned ground to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne