
plate no. 3460
Jacob van Ruisdael, 1653
Recreating this painting will help students develop skills in atmospheric perspective, rendering textures like wood and water, and creating a sense of depth through layering.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the watermills and the horizon line.
Block in the sky with light blues and grays, paying attention to the cloud formations.
Establish the dark masses of the trees and foliage, creating a backdrop for the buildings.
Begin painting the watermills, focusing on the structure and details of the wood and stone.
Add the water, using short, broken brushstrokes to capture the movement and texture.
Develop the foreground details, including the vegetation and rocks.
Refine the lighting and shadows throughout the painting, creating depth and dimension.
Add final details, such as the birds in the sky and the figures in the distance.
color palette
primary · ultramarine blue · burnt umber · yellow ochre · titanium white
secondary · raw sienna · payne's gray · sap green
Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create atmospheric grays by mixing ultramarine blue, burnt umber, and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a toned ground to create a more unified color harmony.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne