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home·artworks·Two Seated Girls on a Meadow
Two Seated Girls on a Meadow by Kitty Lange Kielland

plate no. 8984

Two Seated Girls on a Meadow

Kitty Lange Kielland

oil, canvasRealismlandscapelandscapefiguresmeadowtreesskyhills
some experience helpful

Recreating this painting will allow students to practice layering colors to create depth and atmosphere, as well as capturing the subtle variations in light and shadow across a landscape. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the placement of the figures, and the major landforms.

  2. step 02

    Block in the sky with light blues and grays, using soft, blended brushstrokes.

  3. step 03

    Establish the basic color tones of the meadow, hills, and trees, using broad strokes.

  4. step 04

    Add details to the trees, varying the colors to suggest foliage and depth.

  5. step 05

    Refine the shapes and colors of the rocks and hills, paying attention to the way light falls on them.

  6. step 06

    Paint the figures, focusing on their basic forms and the colors of their clothing.

  7. step 07

    Add highlights and shadows to create dimension and form.

  8. step 08

    Refine the details and blend the colors to achieve a harmonious overall effect.

color palette

primary · yellow ochre · ultramarine blue · titanium white · raw umber

secondary · burnt sienna · sap green · cadmium yellow light

Mix greens by combining ultramarine blue and cadmium yellow light. Achieve muted tones by adding raw umber to other colors. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not blending them sufficiently.
  • →Neglecting the importance of value contrast in creating depth.
  • →Failing to simplify the complex forms of the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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