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Two Little Girls by Frank W. Benson

plate no. 8495

Two Little Girls

Frank W. Benson, 1903

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some experience helpful

Recreating this painting will help students develop skills in painting white fabric with subtle color variations and capturing realistic skin tones. It also provides practice in creating depth and form through brushwork and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the background with broad strokes, establishing the dark and light areas.

  3. step 03

    Establish the basic shapes and values of the dresses, using a limited palette of white and muted colors.

  4. step 04

    Begin to refine the skin tones, paying attention to the subtle variations in color and value.

  5. step 05

    Add details to the faces, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Develop the folds and shadows in the dresses, using a combination of blending and layering techniques.

  7. step 07

    Add the details of the hair and bows, using a variety of brushstrokes to create texture and movement.

  8. step 08

    Make final adjustments to the values and colors, ensuring that the painting has a sense of depth and realism.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ultramarine blue · cadmium red light · yellow ochre

Mix white with small amounts of raw umber and burnt sienna to create the subtle variations in the white dresses. Use ultramarine blue and cadmium red to create the pinks and purples for skin tones and bows.

techniques

  • ·dry brush texture
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the brushwork.
  • →Making the white dresses too flat and lacking in depth.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for the brushwork.

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oil painting for beginners →how to learn by studying the masters →
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