apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Two Hungarian Peasant Children with Sunflowers
Two Hungarian Peasant Children with Sunflowers by August von Pettenkofen

plate no. 2531

Two Hungarian Peasant Children with Sunflowers

August von Pettenkofen, 1876

oilRealismlandscapesunflowerschildlandscapebuildingfoliagesky
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for natural scenes, and capturing the essence of light and shadow in a complex environment. It also provides practice in depicting figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the sunflowers, the child, and the distant building.

  2. step 02

    Block in the main color areas: sky, sunflowers, foliage, ground, and the child's clothing.

  3. step 03

    Start adding details to the sunflowers, using a variety of yellows, oranges, and browns.

  4. step 04

    Develop the foliage with different shades of green, brown, and hints of yellow.

  5. step 05

    Work on the child's figure, paying attention to the light and shadow on the face and clothing.

  6. step 06

    Add details to the ground, including fallen leaves and stems.

  7. step 07

    Refine the background building and sky, creating a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · yellow ochre · sap green · burnt umber · ultramarine blue

secondary · titanium white · cadmium yellow · raw sienna · alizarin crimson

Achieve the muted greens by mixing sap green with burnt umber and a touch of yellow ochre. Create the sky by mixing ultramarine blue with titanium white, adding a touch of yellow ochre for warmth. Mix various shades of brown by combining burnt umber, raw sienna, and alizarin crimson.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Using too much pure color without mixing and muting.
  • →Ignoring the subtle value changes that create depth.
  • →Failing to capture the correct proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy