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Two friends by Jules Trayer

plate no. 8938

Two friends

Jules Trayer

oil, canvasRealismgenre paintingfiguresinteriorchildrenknittingapronsdomestic scene
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a muted palette and creating a sense of depth through subtle value changes. It's also a good exercise in capturing realistic textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background, establishing the overall value structure.

  3. step 03

    Begin to refine the figures, paying attention to the folds in their clothing and the details of their faces.

  4. step 04

    Mix and apply the colors for the skin tones, using thin layers and subtle blending.

  5. step 05

    Add details to the knitting and other objects in the scene, using small brushes.

  6. step 06

    Develop the background further, adding texture and details to the walls and objects.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the scene.

color palette

primary · raw umber · titanium white · ivory black

secondary · burnt sienna · yellow ochre · Prussian blue

Achieve the muted tones by mixing the primary colors with each other and with white. Use burnt sienna and yellow ochre to warm up the skin tones and the background.

techniques

  • ·underpainting
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless appearance.
  • →Getting the proportions of the figures wrong.
  • →Failing to create a sense of depth in the background.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints: raw umber, titanium white, ivory black, burnt sienna, yellow ochre, Prussian blue
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a canvas with a fine weave for better detail. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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